MP3 @192 80 MB
With its use of banjo, accordion, lap steel, and stand-up bass and its songs about creaking pine porches, shallow graves, prison shoes, and big horses, Sixteen Horsepower would seem to be drawing from the same ancient wells of Americana as the Band. The Band, however, handled this tradition from a working-class perspective of Monday morning blues and Saturday night release. By contrast, Sixteen Horsepower takes the leisure-class approach of existentialist angst, bad college poetry, and no release whatsoever. Edwards simply throws evocative phrases together without bothering to make one fit with the other. Such a technique could be called "experimental," but it could also be called "lazy." Drummer Jean-Yves Tola and bassist Keven Soll help Edwards create a spare, agitated, rock & roll string-band sound behind his doom-and-gloom howlings
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I'm a big fan of alt. country and I've been looking for this for a while. Thank you!
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